All ‘Friday April 1st’ events.
The 2011 Castlemaine State Festival sweeps into Castlemaine’s Mostyn Street with Pageant & Pandemonium — a free opening night dance pageant — fo . . .
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Living Stories of the Victorian Goldfields is a series of entertaining, heartfelt and musically rich audio tours of the history and landscape around C . . .
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The Jitterbug Club will be a contemporary Harlem-style jazz club. With plenty of hoochie and loads more coochie, it will creep out like a shadow, jump . . .
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Beyond Capricorn features limited edition prints produced by Australian Print Workshop in collaboration with Indigenous artists from communities locat . . .
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Figuring the Earth brings a focused integration of works of Indigenous and non-Indigenous Australian artists whose images and sculptural objects attes . . .
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The Artists Rooms are a series of site-response works. Local and international visual artists stretch the contemporary art boundaries through performa . . .
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Kentridge delves into political events using powerful poetic allegory. His drawings, prints, performance and animation have inspired generations — o . . .
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Indonesian-born Heri Dono is one of South-East Asia’s most innovative and prominent artists, with a multi disciplinary practice, including performan . . .
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Printmakers and visual artists from the region have responded to the call to investigate the theme Pressing Issues in a series of satellite exhibition . . .
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A thought provoking point of entry to Festival theatrical performance between acts, Rose Nolan's grand scale striking red and white banners drop from . . .
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The Union Studio is proud to present an exhibition of lithographs by some of Australia’s best known artists in this new gallery in the heart of Cast . . .
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In years gone by, printmakers’ apprentices were considered black imps, often working in secret, travelling and printing propaganda material, and bri . . .
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Exploring notions of merit, fear, desire, responsibility, privilege, greed, sacrifice, contribution, self-esteem, belonging, pressure, places of value . . .
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